a b Benson, Thor (7 November 2015). "A Brief History of Raves in the U.S." attn . Retrieved 3 September 2019. From "The in Crowd" to the "Happy People" | Uppers Culture Lifestyle". Uppers.org. Archived from the original on 19 October 2015 . Retrieved 3 June 2015. At 4.50am, Bristol Airport announced that the road closure would delay any flight from taking off until at least 8am. Arlidge, John (2 May 1995). "The day the music died, Hanger 13, Scotland's top rave venue, has been closed after three Ecstasy-related deaths". independent.co.uk/. The Independent Newspaper UK . Retrieved 5 October 2015.

The musical contribution of Brooklyn's DJ-producer Joey Beltram to R&S Records, run by Renaat Vandepapeliere, was instrumental in the development of iconic Belgian techno sounds and anthems. [71] [72] Canada edit

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I don't know about you but I NEED a fan at a rave or festival to help me survive the heat! It's instantly makes you come alive and feel revived! Pair it with a small spray bottle and you'll be QUEEN of the fest !!! a b Avrahami, Beni; Bentur, Yedidia; Halpern, Pinchas; Moskovich, Jenny; Peleg, Kobi; Soffer, Dror (April 2011). "Morbidity associated with MDMA (ecstasy) abuse: a survey of emergency department admissions". Human & Experimental Toxicology. SAGE Publications. 30 (4): 259–266. doi: 10.1177/0960327110370984. eISSN 1477-0903. ISSN 0960-3271. LCCN 90031138. PMID 20488845. S2CID 30994214. a b Helen Evans. "OUT OF SIGHT, OUT OF MIND: An Analysis of Rave culture" . Retrieved 25 October 2007. The term rave first came into use in late 50s Britain as a name for the wild bohemian parties of the time.

Evans, Helen. " Out of Sight, Out of Mind: An Analysis of Rave Culture". Wimbledon School of Art, London. 1992. Includes bibliography through 1994. Rave hasn’t been documented in film apart from a few documentaries, and it’s such an interesting period because it was a massively important cultural moment. Rave had a DIY aesthetic, it was about groups of people organising free parties and so it was outside of the commercial sphere – that seems like an act of defiance against individualism, profit and privatisation,” explains Welsh. Through the mid-1990s and into the 2000s the city of Seattle also shared in the tradition of West Coast rave culture. Though a smaller scene compared to San Francisco, Seattle also had many different rave crews, promoters, DJs, and fans. Candy Raver style, friendship and culture became popular in the West Coast rave scene, both in Seattle and San Francisco. At the peak of West Coast rave, Candy Raver, and massive rave popularity (1996–1999,) it was common to meet groups of ravers, promoters, and DJs who frequently travelled between Seattle and San Francisco, as well as Bellingham, Vancouver, Canada and Portland, Oregon. This spread the overall sense of West Coast rave culture and the phenomenon of West Coast "massives". Bennett Andy, Peterson Richard A.: Music Scenes: Local, Translocal and Virtual. Nashville: Vanderbilt University Press, 2004 Fans can be customized and personalized with different color glitters, words in glitter and/or Jewels can be added to the side edges.In the 1990s, San Diego held large raves with audiences of thousands. These festivals were held on Indian reservations and ski resorts during the summer months and were headlined by DJs such as Doc Martin, Daniel Moontribe, Dimitri of Deee-lite, Afrika Islam and the Hardkiss brothers from San Francisco. They helped to create the Right to Dance movement—a non-violent protest held in San Diego and later in Los Angeles. Collin, Matthew. Altered State: The Story of Ecstasy and Acid House. London: 1997 : Serpent's Tail – How rave dances began in Manchester, England in the Summer of 1988 (the Second Summer of Love) and the aftermath. ISBN 1-85242-604-7. a b c "Corpus Techno: The music of the future will soon be history". MUNICHfound.com. July 1997 . Retrieved 25 February 2017.